Using Curves, Spheres And Balls In Your Garden
DESIGN | by DEBRA PRINZING
THE IMAGE OF A CIRCLE pleases the eye. In the garden, shapes that are rounded, organic, and sensual resonate as “good design.” They are visually satisfying, emotionally seductive and artistically whole.
Circles also appear tidy, if that sort of thing matters to you. They can be formal, but circular shapes are also very contemporary-looking.

© DEBRA PRINZING
For a fresh statement in the landscape, think about how you can apply or incorporate a rounded feature. With all the squarish blocks of architecture that occupy one’s life, the circle is a nice, soft antidote.
Anyone who enjoys touring gardens, going to design lectures and amassing volumes about the subject of landscape design may, like me, have an instinct about the reason curves, rounded forms, orbs and spherical shapes are successful in the garden. Here’s what the authors of my college design textbook write:
“Among the many and varied forms we see in the world around us, the circle stands out as being unique. Due to its simplicity and completeness, the circle has often been described as the most pure or perfect form.”
“. . . lines and edges which form a 90-degree relationship to a circle’s circumference are more stable looking than compositions that lack this relationship.”
“. . . any line or form that directs the eye to a circle’s center will create a visually harmonious relationship with the circle.”
(From “Residential Landscape Architecture”, by Norman K. Booth and James E. Hiss,
the textbook used by the late Bud Merrill, my design professor.)
I guess the most powerful argument for using a circle is its wholeness. When we see round shapes, curved lines, concentric circles, spirals, spheres, orbs and balls, the scene feels balanced and complete. Whether miniscule in size or with planetary proportions, there’s a lot of power in the perfect circle.










